2. 2 with water, 1 with sand
3 the way it used to be.
4 The station master with a display of old luggage
5 Engine 30926 leaves.
6 I ran alongside as the steam train was leaving the station..., it made the driver smile,
7 The stoker
8. The stoker's hand, looks like a charcoal drawing...
9. FROM A BRIEF ENCOUNTER, an air of mystery and romance forever linked with that classic A Brief Encounter...
The driver was smoothly reversing the train out of the station,
10. The driver11. Bye, off in smoke.
All in good cheers, I’m writing this with a big smile.
PHOTOGRAPHY comes from the classical Greek
Grafein=to write, to paint.
1: the act of taking and printing photographs.
2: the process of producing images of objects on photosensitive surfaces.
3: the occupation of taking and printing photographs or making movies. (Dictionary.com)
Like everything else, you need the tools of the trade…
Camera, light and ACTION!
Note I wrote camera, no distinction, it is my firm conviction that it is the person using the tools that is responsible for the result.
So that whole squabble and debate about film/digital, I WILL NOT EVEN GO INTO THAT NOW! Because it is irrelevant, just like the whole 'debate about brands', Canon versus Nikon, how silly.... I have and still do use both, often. Oke, digital is winning, but I still think that film has a 'natural' moody (colour/grain) quality that you have to 'put in' digital? Digital has other qualities, but that is really for another blog.
My camera HAS to be me my partner, I must love it straight away, I must love the feel of it immediately, we are going to work and have fun together, I must be able to rely on it, make it give me the results I have in my minds eye, my creative brain!
Give me any camera and I’ll do you the job, that’s a fact not a boast, been there, worn the T-shirt, bla-bla-bla!
Personally, far more important, a good portrait depends on my ability to communicate with the subject, my rapport. No matter the person, age, country, religion or any other circumstances, the success rests on how I approach the situation, the light and most importantly, my state of mind. Surprised? You shouldn't be!
The Greek have a lovely word: logiki... people sense the mood you are in and will respond accordingly.
It does not come easy to me, because I’m a shy person.
BUT, IT IS A BARRIER I OVERCOME EACH TIME.
If I can put them at ease, often simply by empathizing about the fact that I do understand, because I also do not like to be photographed, relax them, often by explaining what is going on, why a specific light or lens, they get interested and into it. Be strong but not overpowering, be kind and understanding but keep that gentle strength (and when it is a NO, ACCEPT IT! Nothing can work in such a situation).
You always have the hopeless ones (like, for example, hihi, photographers, radio-people, now I know why they are just a voice!!), but the TV-people are difficult in a different way, as soon as they sense the lens, they give you the ’stereo-type, standard' smile, which is also not what I want.
Often on sites, portraits are less appreciated; I think most people are scared? On the other hand on the website it is by far the MOST VIEWED section!
I had a comment once;
“I usually don't click on portraits because I don't know much about them (but I hope to someday). But this is a classic that gives me lots of ideas on how to do them!”
Someone else wrote:
“And Magda is a professional with many years experience. Most of us amateurs (enthusiasts=the new title recently) are still learning and finding our feet.”
Do you think I’ve stopped learning? I probably work harder at it than most, trying out different, new light settings and techniques.
You must all realize that, like in everything else, there’s also an ever changing TREND.
You only have to look at the family/school/wedding portrait of 50-20 years ago!!!!!!!!
I say it time and time again, there are no secrets!
I upload some images of portraits I took last Saturday! The steam train was late, I'd been told: 'no luv, not t'day anymore'. I photographed some details at the old station, I heard the whistle, Had to run all the way back. By the time I got to the driver and stoker, they were about to reverse away, I was able to 'establish' a quick rapport (often people get a fright when they hear I have a foreign accent, which is an additional obstacle, some freeze!), give them a card so I'd be able to send them some prints, took some portraits, ran alongside, a few more... It was over, right out of A Brief Encounter.
Enjoy your photography, make good use of, play and paint with light, in your FREE photography take images ONLY for YOU, overcome barriers if you have to...if you can...
Thanx, M, (*_*)